Broken Homes (Peter Grant #4) by Ben Aaronovitch

Synopsis:
Ben Aaronovitch has stormed the bestseller list with his superb London crime series. A unique blend of police procedural, loving detail about the greatest character of all, London, and a dash of the supernatural.

In the new novel DC Peter Grant must head south of the river to the alien environs of Elephant and Castle. There's a murderer abroad and, as always when Grant's department are reluctantly called in by CID there is more than a whiff of the supernatural in the darkness.

Full of warmth, sly humour and a rich cornucopia of things you never knew about London, Aaronovitch's series has swiftly added Grant's magical London to Rebus' Edinburgh and Morse's Oxford as a destination of choice for those who love their crime with something a little extra.


What the hell did I just read? Where’s the rest of it? I need the rest of it NOW!

On a more rational note, this is another better novel of the Peter Grant series. As ever, the strength of the writing and story lies on Peter’s narration and sarcastic voice, so if that hasn’t won you over by now, don’t expect the scattered plot threads to dazzle you. If you’re invested in the long plot, however, sit back and enjoy the ride.

The story is of the slow sort and reminiscent of Sherlock Holmes in a way that doesn’t make a good mystery novel. Not in the puristic sense. Too much is hidden for the readers to piece together the puzzle for themselves and they have to wait for the genius to guide them through the intuitive steps of logical deduction.

Broken Homes also suffers from the middle book syndrome but because this is the fourth in the series let’s call it the set up syndrome. Everything, and I do mean everything is set up for bigger things to come and even the explosions at the end aren’t enough to release the underlying tension. It feels like things are going to get a lot worse before they get better and Peter needs to improve on his policing as well as his magic lessons. And fast.

When’s the next book coming out again?

Rameau's Review Archive: Proof by Seduction by Courtney Milan (Carhart #1)

Originally posted on Goodreads on February 2nd 2012. This is one of our second opinion reviews and if you click the 2nd opinion icon, you'll find the original:

Synopsis:
"She was his last chance for a future of happiness..."A gifted fortune-teller from a humble background, Jenny can make even the most sophisticated skeptic believe her predictions simply by batting her smoky eyelashes. Until she meets her match in Gareth Carhart, the Marquess of Blakely, a sworn bachelor and scientist.

"He just didn't know it yet"

Broodingly handsome, Gareth is scandalized to discover his cousin has fallen under the spell of "Madame Esmerelda," and vows to prove Jenny a fraud. But his unexpected attraction to the fiery enchantress defies logic. Jenny disrupts every facet of Gareth's calculated plan--until he can't decide whether to seduce her or ruin her. Now, as they engage in a passionate battle of wills, two lonely souls must choose between everything they "know."..and the boundless possibilities of love.


Proof by Seduction by Courtney Milan

When an uptight scientist meets an alluring fortune-teller, a clash is unavoidable. Rich and dutiful Lord Blakely is ready to fight the conniving liar Madame Esmerelda for the soul of his cousin Ned Carhart. Who could have guessed that they'd end up fighting for something else instead?

Who indeed?

It's the basic set up for a historical romance novel. A powerful aristocratic man meets a poor but somehow exceptional woman who changes him irreversibly. Naturally he does the same for her. They meet, they squabble, and go their separate ways. Until they meet again and start anew. They end up challenging each other in ways that neither fully understands until the very last pages of the story.

What sets this novel apart from the rest, is how Milan fills the pages. There's enough material for two novels, and all the important exposures are knitted with plot points instead of being offered in info dumps. Milan also utilises secondary characters in a way many forget to do. The scenes told from Ned's point of view don't feel like a distraction from the main story, but add something heartwarming to the mix. I can't wait to read more about him.

However. This is not a fair rating. Proof of Seduction may be her debut novel, but it isn't the first Courtney Milan romance I've read, and thus she's competing against herself. And as good as this book is compared to all those other romance novels out there, I've read better, especially from Mrs Milan.

The story has all the elements I've come to love about Milan's writing–abundance of plot, tempting set up, intriguing characters, bewitching storytelling, and a historical world I'd be more than happy to suspend my belief for–but from a purely technical standpoint it's by far her weakest work. There are unfortunate word choices, questionable characterisations–Jenny, for example, is painfully naive on occasions– and unnecessary scenes, which amount to repetition at times.

Unlike with Milan's other fictitiously happy Harlequin endings, I didn't buy this one. I felt like the trademark ending only served to distort the characterisations in a way that made them unbelievable to me. I've become accustomed to suspending belief when it comes to historical romances, but this time the magic of the story wasn't strong enough to carry me through the disparity of the marriage.

See, nothing fair about that.

Mind Fuck by Manna Francis (The Administration #1)

Synopsis:
There are no bad guys or good guys. There are only better guys and worse guys. One of the worse guys is Val Toreth. In a world in which torture is a legitimate part of the investigative process, he works for the Investigation and Interrogation Division, where his colleagues can be more dangerous than the criminals he investigates. One of the better guys is Keir Warrick. His small corporation, SimTech, is developing a "sim" system that places users in a fully immersive virtual reality. A minnow in a murky and dangerous pond, he is only beginning to discover how many compromises may be required for success. 

Their home is the dark future dystopia of New London. A totalitarian bureaucracy controls the European Administration, sharing political power with the corporations. The government uses violence and the many divisions of the feared Department of Internal Security to maintain control and crush resistance. The corporations fight among themselves, using lethal force under the euphemism of "corporate sabotage," uniting only to resist attempts by the Administration to extend its influence over them. Toreth and Warrick are more natural enemies than allies. But mutual attraction and the fight for survival can create unlikely bonds

I thought about giving this book five stars.

As the days and weeks went by and I failed to write a proper review, I realised I’d made the right decision. Mind Fuck is a really good book but it’s not extraordinary.

In the dystopic future there’s the Administration. There aren’t really any nations, just regional Administrations and corporations that control people’s lives. This is a world where everything is monitored unless it’s not—to protect business secrets—and where torture is legalised.

That’s where Toreth works: In Investigation and Interrogation, I&I. He goes through mountains of paperwork, adjusts drug dosages and on an occasion handles the more precise tools of the trade. He also has irregular one-night stands under assumed names in hotel rooms he charges his employer for.

All in all, it’s a good life. Then he meets Warrick.

Just as Toreth has sold his life to the Administration, Warrick has tied himself to the corporations. He’s brilliant and just as emotionally challenged as Toreth is, albeit in his own way. These two men, they get under each other’s skin and can’t quite get rid of one another. Logic and life experience dictates that they must, but a convenient murder mystery ensures they can’t.

Mind Fuck is as light on the erotica and BDSM as it is on the world building. Still, I got the feeling everything had been thought through and that the author is asking the reader to trust her while she properly introduces the characters. Looking at the long list of The Administration series novellas and novels there’s a lot left to explore. Still, I wouldn’t recommend this to the fans of pure dystopia as much as to the fans of slow-burn m/m. The world and the predictable mystery only serve as a pale background to the characters.

And the characters are wonderful. They’re neither perfectly healthy, normal, or anyone I’d want to know in real life, but they are interesting. Their relationship is interesting. Their struggle to discern reality from the artificial and will to survive their circumstances is interesting. This story is interesting

If you don’t mind a narrative where the third person limited voice occasionally slips into first or that the story draggs from time to time, this is a book worth reading.

Review: Glow (Sky Chasers #1) by Amy Kathleen Ryan

Synopsis:

What if you were bound for a new world, about to pledge your life to someone you'd been promised to since birth, and one unexpected violent attack made survival—not love—the issue?

Out in the murky nebula lurks an unseen enemy: the New Horizon. On its way to populate a distant planet in the wake of Earth's collapse, the ship's crew has been unable to conceive a generation to continue its mission. They need young girls desperately, or their zealous leader's efforts will fail. Onboard their sister ship, the Empyrean, the unsuspecting families don't know an attack is being mounted that could claim the most important among them...

Fifteen-year-old Waverly is part of the first generation to be successfully conceived in deep space; she was born on the Empyrean, and the large farming vessel is all she knows. Her concerns are those of any teenager—until Kieran Alden proposes to her. The handsome captain-to-be has everything Waverly could ever want in a husband, and with the pressure to start having children, everyone is sure he's the best choice. Except for Waverly, who wants more from life than marriage—and is secretly intrigued by the shy, darkly brilliant Seth.

But when the Empyrean faces sudden attack by their assumed allies, they quickly find out that the enemies aren't all from the outside.

 

This wasn’t an easy read for me. Not only did real life constraints make it difficult for me to find the time to read but the writing itself didn’t exactly suck me in. Ryan’s writing is efficient and it gets the point across but she isn’t a wordsmith like Laini Taylor is. She’s a plotter, and that’s a skill that means more to me than pretty words.

If you’ve read the blurb you know there are two space ships carrying the last vestiges of the human race to a faraway place and that there are two teenagers in the middle of it all. The blurb also promises a love story or a triangle, but it’s hardly mentioned after the set up. It’s the process of growing up in an unlikely situation and learning to take responsibility for one’s actions that dominates the story. That and survival.

I’m not going to talk about the science simply because I decided not to think about it too hard. I’d never been able to finish reading the book had tried. Not that there is much scientific detail to bog down the tragedy of humanity, but there was enough for me to consider it unlikely. That applies both to the space travel as well as to the fertility solution especially considering they were fleeing an environmental catastrophe… I said I wouldn’t talk about it and I won’t. Instead let me introduce you to the main characters.

On the plus column there’s Waverly, an anti-Mary Sue and a very regular sixteen year old girl at the cusp of adulthood. Because of the mission she’s expected to marry and procreate, but she has her doubts. In a way, what was done to her should’ve been a blessing for her and her desire to choose for herself had she actually been given the opportunity. Because she’s still a child she still needs her mother, but because she’s almost an adult she also learns to take care of herself and others, even if there are mistakes made along the way.

On the minus column there’s Kieran. He’s intolerable know-all who goes through a very difficult journey to realise that maybe he doesn’t know it all after all. He too learns from his mistakes even if he’s not ready to face the slippery slope he’s drifted on.

You can invert the columns if you like but you can’t change what dominates them both: Religion. Christianity. The folly of knowing God’s will and imposing it on others. Or simple ambition, thirst for power. And the rejection of it.

Glow reads like a carefully constructed adventure story with each point of view delivering only a sliver of the bigger picture. Both Waverly’s and Kieran’s chapters are subjective to their situation and viewpoint, but it’s the use of third limited that allows the reader enough distance to see through the (obvious) manipulation. Ryan doesn’t shy away from showing flaws and gaping holes in morality in absolutely everyone. Each character is only acting and reacting based on their own experiences. Except when they’re not.

Apart from Waverly, Kieran, and Anne Mather—and you can challenge me on Anne Mather—all other characters are accessories and subject to the whims of the plotter. For example, Ryan tries to justify Seth’s behaviour after the kidnapping in couple of different ways but I didn’t find those reasons completely believable. And unless he gets his own chapters in the following books, I fear he’s doomed to remain a pawn in Waberly and Kieran’s game and the object of their mutual desire.

Glow isn’t an easy read because of its subject matter and real moral dilemmas but it is a book that makes you think. I wasn’t completely sold on the delivery, but I applaud the message.

This recommendation comes with a warning: Glow is the first book of Sky Chasers series of which only first two have been published. The third is expected to be published in 2014.

Review: Love Irresistibly (FBI/US Attorney #4) by Julie James

Synopsis:
HE’S USED TO GETTING WHAT HE WANTS…

A former football star and one of Chicago’s top prosecutors, Assistant U.S. Attorney Cade Morgan will do anything to nail a corrupt state senator, which means he needs Brooke Parker’s help. As general counsel for a restaurant company, she can get a bug to the senator’s table at one of her five-star restaurants so the FBI can eavesdrop on him. All Cade has to do is convince Brooke to cooperate—and he’s not afraid to use a little charm, or the power of his office, to do just that. 

AND WHAT HE WANTS IS HER

A savvy businesswoman, Brooke knows she needs to play ball with the U.S. Attorney’s office—even if it means working with Cade. No doubt there’s a sizzling attraction beneath all their sarcastic quips, but Brooke is determined to keep things casual. Cade agrees—until a surprising turn of events throws his life into turmoil, and he realizes that he wants more than just a good time from the one woman with whom he could fall terrifyingly, irresistibly in love…

I liked this book. It wasn’t anything special but I liked it. So why the fourth star? Why not a three star meh rating?

Wilkins? Sadly no.

This is about Cade Morgan who was introduced in the Twitter Terrorist book and Brooke Parker who is just as wrapped in her career as he is. They meet because of a case he’s prosecuting and they meet again because of a return favour she asks.

And they kiss.

And they date.

They have sex and they have internal meltdowns about things getting too serious when they’re not ready to admit that’s exactly what they want. He has family trouble and she has career plans. Life is complicated.

It’s boring. And it’s all so deliciously normal.

These characters are adults. They’re capable at the jobs, they have friends they talk to, and they worry about spending or not spending the rest of their lives alone. There are miscommunications but those don’t last and they’re not manufactured. They’re just little complications of life.

After reading too many paranormals with insta-mates it’s a wonderful relief to read about an ordinary romance between two people who suck at relationships but manage to find and fall in love with someone who just fits in their lives.

I expect that the next romance in the series will swing back to the FBI side—no, sadly I don’t expect it to be about Wilkins—and that I’ll have to suspend my disbelief a bit more due to hazard pay. I’ll enjoy reading it nonetheless.

Rameau's Review Archive: About That Night (FBI/US Attorney #3) by Julie James

Originally posted on Goodreads May 4th 2012.

Synopsis:
He's Playing Games

Though Rylann Pierce tried to fight the sparks she felt for billionaire heir Kyle Rhodes the night they met, their sizzling chemistry was undeniable. But after being stood up on their first date, Rylann never expected to see him again. So when she finds herself face-to-face with Kyle in a courthouse nine years later, she's stunned. More troubling to the beautiful assistant U.S. attorney is that she's still wildly attracted to him.

But She's Making The Rules

Just released from prison, Kyle Rhodes isn't thrilled to be the star witness in a high-profile criminal case—but when Rylann comes knocking at his door, he finds she may be the one lawyer he can't say no to. Still as gorgeous and sharp-tongued as ever, she lays down the law: she doesn't mix business with pleasure. But Kyle won't give up on something he wants—and what he wants is the one woman he's never forgotten.

About That Night by Julie James

This is the point where I say you either like how Julie James writes or you don't. I do think she writes better contemporary romance than most, but it's not ideal for me either. I have my pet peeves like over-repetition of certain jokes, the missed opportunities with familial interactions, and nipples. That's all I'm going to say about the sex scenes this time. Nipples.

The story starts slow with an in depth look at the events that took place nine years earlier. Even when the story jumps ahead to present date, it takes time for the couple to meet. Both Rylann's life after college is established, and the events from the previous book paraphrased to explain Kyle's current situation.

As per usual—she says with the voice of experience of reading three books of the same series—Julie James creates three dimensional characters with thought out motives and strong friendships. There's always more under the surface and this is emphasised with a character like Kyle Rhodes.

In A Lot Like Love Jordan Rhodes was said to have a recognisable face from the Chicago gossip columns, but it wasn't an all-pervading part of her daily life like it's for Josh Kyle—dammit Alicia. His mugshot and heir apparent status ensure that every stranger has an opinion on him. There's a public image he exudes, but excluding three people who have known him longer than a decade no one really knows the private side of him. So far that hasn't been a problem, and Josh Kyle actually prefers it that way.

Then Rylann Pierce walks into the courtroom and back into his life.

The fact that they almost had a date in college makes Rylann just curious enough to let herself bend the rules and divert from her twelve-year-plan. She's a good girl prosecutor who plays by the rules, but with Kyle she makes a few new rules. For Kyle, who is used to playing games, this is a novel experience. They play these power games to the point where it made me uncomfortable. I assume it was done to heighten the sexual tension, and it did, but it also made me realise that I didn't like Rylann very much. Not at that point at least.

Still, their behaviour was true to their characterisations and, like always with Julie James, that drove the plot. Sure, there were external obstacles too, but the biggest problems Rylann and Kyle had with their relationship, came from within. Rylann's need to plan ahead and exude a certain kind of image because of her work, and Kyle's need to turn his life around and let go of a few grudges dictated their interactions.

I especially like how Julie James' characters don't always get what they want. It doesn't matter whether or not an apology is justified or not, when they don't get it, they act like an adults and move on with their lives. They don't throw huge tantrums that artificially kick start a romantic comedy and drive the plot. There's something very real about them. So real, that I'm always disappointed when there's not enough room for one more scene of "meet the family."

Julie James needs to stop doing that.

She needs to stop creating stellar secondary characters like Nick's Italian mother, or Kyle's father Grey, or Rylann's busybody mother and not have them meet the significant other their child is dating. I was beyond disappointed that Nick's mother didn't suddenly turn up in Chicago to meet this girl his son had talked about, because I really, really wanted to read that scene. I know the author aims for realism, but dammit, this is a book:

Bend the rules a little and have the characters do something outrageous.

Or at least explain their motives a little better. While I'm not heartbroken that Kyle never got to meet Rylann's mother in this book, I would have liked to have those comments and phone calls explained a little better. As it stands, her mother's only function in this book was to guilt Rylann into wanting to stay away from Kyle. Sure, I understood Rylann's motives, but I never understood why her mother would call to talk about the Twitter Terrorist if she didn't suspect there was something going on between them. And I never got an answer for that.

I'd really like an answer to that. I'd really like to read in-between-novellas where Jordan is introduced to Nick's family, and Kyle has to win over Rylann's retired paralegal mother. I'm not above bribery either. Some good wine and chocolate should do the trick, don't you think?

Rameau's Review Archive: King of the Isles by Debbie Mazzuca

Rameau's ramblings: So far I've given examples on what my one star and five star reviews—or a "total failure" and "one brilliant book" ratings—look like. Now it's time to see what "meh" means to me. This just happens to be one of my snarkier reviews. 

Originally posted on Goodreads on January 12th 2012.



Synopsis: 
Some men are born to rule…

She’ll find him a bride if it’s the last thing she does.

And it very well might be. Evangeline may be powerfully persuasive in her way, but convincing the notoriously wild Highland king Lachlan MacLeod to strengthen his alliances with a strategic marriage seems to be asking the impossible. Stubborn and proud, Lachlan seems determined to go against her will, even if it means endangering the people he’s sworn to protect and the enchanted isle that has already seen so much discord.

Yet the battle-scarred Highlander cannot ignore his sultry advisor for long. When his mentor is kidnapped, forcing him to ride into combat alongside the beautiful Evangeline, he must choose between her safety and his own independence. It’s a choice he makes in an instant…but once wed to the woman he could not resist, he’ll soon find that his heart is in even greater danger than his kingdom…



King of the Isles by Debbie Mazzuca

A while ago I won a book on a Twitter and a little while later I received a small package in the mail. My first ever paperback ARC. So naturally, I postponed reading said book until I could concentrate and give it the attention it clearly deserved. And I did–concentrate–for several weeks.

After I finished reading said book, I wrote a long list of things that bugged me about the novel and I set it aside. This was my attempt to remove the sting of somewhat critical review.

Everyone in their seats? Seat-belts? Safety glasses? Just glance at the stars, hold on, and let the ride begin.

Oh, for the love of... That was my first thought. Repeated several times during the early chapters. With every bountiful breast jiggle I cursed all the smut-writing gods and prayed for fanfic erotica salvation. (I am saved.) What the author must have considered as slow building for the sexual tension designed to bring two stubborn people together and help to break the ice between them I regarded as cheap smut tricks. Thanks to this book I could go on a lifetime without ever reading the expressions feminine curves and his manhood ever again. My quota is full.

I think M(r)s Mazzuca forgot that it's not the action of a lively pair of breasts women readers think is sexy, it's the hero's reaction to it. Though that didn't work well either when Evangeline and Lachlan went riding with winged horses (see his manhood).

I love the Scotch, both the drink and the accent, but I swear these authors are trying to destroy that love. Writing thick and sexy brogue is anything but. Reading it is painful. I swear, part of the reason why it took me so long to read through this book was because I couldn't understand a word Lachlan was saying. There were long pieces of incomprehensible dialogue that slowed my reading to the point where I started paying way too much attention to the details. And what happens when the reader starts paying too much attention to detail? This review is what happens (I'd say I'm sorry, but I'm not).

Speaking of Lachlan and his male pride (another thing I'd happily never read again), the caveman mentality sucks. It's especially unappealing when it's the only thing continually showing the period. Yes, there's a time-traveller, but the rest of the characters, human and fae alike, are supposed to be living in the early 17th century. Do they act like it? No, they don't. And don't even get me started on the equal partnership-thing. (Seriously, don't. I've forgotten that bit.)

Then there's the supernatural. I was under the impression that faeries are supposed to be older and long-lived. Sure, there must be or have been fae children once upon time, but those are far and few between. Or so I thought. I don't even know how old Lachlan is, I just know that at twenty-six, Evangeline is supposed to be older. Why the hell couldn't she be at least in her sixties to make things more interesting? I had other complaints about the fae, but I've forgotten them too.

Perhaps this is explained elsewhere in the series, because before there was a King there was a Lord and a Warrior of the Isles. You can certainly read this book without having read the prequels (I did), but the knowledge of things you're missing will haunt you (it did haunt me). I would complain more about the abundance of secondary characters apparently known from the other books had I cared enough about Evangeline and Lachlan to be upset when the focus wasn't solely on them.

The series issue is a hindrance in other things too. I have no way of knowing if this was explained in the other books, but I must assume it was, because if it wasn't... it's just a sign of the author's laziness. Having not read the other books, Evangeline's fears remained too abstract and thus the culmination of this book fell flat for me. This combined with the fact that there isn't a true ending for the story, only further groundwork for the sequel, I can't recommend this book for anyone not willing to commit to a series.

That's most of my complaining done, but there are few spoilery details such as the vampirism and the pregnancy issue. I still wish Evangeline would have remained childless, because I refuse to believe that every woman must reproduce to find happiness in her life.

There were good bits too, as you can see from my rating. Whenever the author was writing action or was otherwise engaged with the plot, she forgot to add the unnecessary descriptions, which in turn made the text flow better and the reading enjoyable. Mazzuca clearly knows how to come up with plots for her romances, it's just a shame she doesn't focus on that more.

I received a copy of this book from the publisher. 

Rameau's Review Archive: A Lot Like Love (FBI/US Attorney #2) by Julie James

Originally published April 16th 2012.

Synopsis:
The FBI wants her cooperation.
As the daughter of a billionaire and the owner of the city's top wine store, Jordan Rhodes is invited to the most exclusive parties in Chicago. But there's only one party the FBI wants to crash: the charity fundraiser of a famous restaurateur, who also happens to launder money for the mob. In exchange for her brother's release from prison, Jordan is going to be there—with a date supplied by the Bureau.

Agent McCall just wants her.
As the top undercover agent in Chicago, Nick McCall has one rule: never get personal. This "date" with Jordan Rhodes is merely an assignment— one they're both determined to pull off even if they can't be together for five minutes before the sarcasm and sparks begin to fly. But when Nick's investigation is compromised, he and Jordan have no choice but to pretend they're a couple, and what starts out as a simple assignment begins to feel a lot like something more.



A Lot Like Love by Julie James

Julie James has fallen was pushed stepped down from the pedestal of my unreasonably high expectations. She is, after all, just a woman who writes better contemporary romance novels than most.
This time I knew what to expect. I knew to expect characters that are strong and coherent, and I knew to expect a story that won't surprise me with its twists and turns but will effectively carry through and take the pressure off the romance. I knew to expect something believable--or as believable as the romance genre is capable of offering.

I like how Julie James does her research and how it shows in the daily details of a lawyer or a wine merchant. I like how Jordan teaches Nick about wine, looking at it, and tasting it. What I would have liked even more, if the passion a person or a character feels for his or her trade had shone through the text. For example, when Jordan explains that a wine's age affects its hue, she fails to elaborate how it affects it. For someone who works, lives, and breathes the stuff, that little detail should be clear as day and slip out in everyday discussion whether it bores the none wine enthusiasts or not. I know that when I start explaining physics I won't stop talking and pointing out little details until someone shuts me up or until I reach the limits of my knowledge.

Then there are times when the author should know to shut up. Writing the same word or expression over and over is like repeating a joke after it stops being funny. It's something I can live with, but I doubt it will ever fully stop nagging at me.

I didn't notice this, until Alicia pointed it out to me, but James likes to describe clothing and she likes to do it by saying he wore or she wore a lot. So I can say, there are some perks to not caring about everyday fashion--or fashion at all. Except Crocs. Even I won't wear them.

As to something that didn't affect the plot, but could have, I'm asking:

Why does Nick tell absolutely everyone that he works undercover and why does he tell absolutely everything about those undercover works of his? Telling his family about working undercover is one thing, spoiler telling a random sex buddy is anotherspoiler. The woman's confusion over his last name would have been enough to tip off the private detective, because apparently that was her only function. I wonder how such a blabbermouth survived doing that job for so long.

It's been a while--few days--since I read this book, and I can't think of much more to say. Other than to thank Alicia for recommending it to me. If the next two books I read from Julie James are as good as this, I'll be adding another author on my favourite authors list.

Rameau's Review Archive: Something About You (FBI/US Attorney #1) by Julie James

Originally posted on Goodreads April 8th 2012.

Synopsis:

There's something about Julie James... 

Staying overnight in a luxury hotel, Assistant U.S. Attorney Cameron Lynde overhears a high-profile murder involving a U.S. Senator. Special Agent Jack Pallas is assigned to the investigation-the same Jack Pallas who still blames her for nearly ruining his career three years ago. Now the pair will have to put their rocky past behind them, focus on the case at hand-and smother the flame of their sizzling-hot sexual tension.

Something About You by Julie James

This is not a fair rating. I do try to rate evenly independent of genre and solely based on my enjoyment of a novel, but that doesn't always happen. Sometimes I come across writing of a quality that in itself raises my expectations for an author and I end up being much harsher on them than I would otherwise. Those authors–debut or not–must deliver in order to earn their stars. The last time I can remember having this particular problem was when I read and reviewed Proof of Seduction by Courtney Milan.

It looks like Julie James is going to be one of those authors.

Unlike Milan, James writes contemporary romance and about lawyers especially. The very first chapter of Something About You set my expectations high and for a while it looked like James would deliver. Her writing flows easily and the dialogue is witty. Her characters act like levelheaded adults would in real situations and there aren't any manufactured obstacles for their star-crossed romance. There is a misunderstanding, but it's years old and the reasons for it are understandable. There also appears to be a plot.

I admit I was a bit miffed for not getting to play the guessing game of a whodunnit mystery, but that didn't lower the rating from a solid four stars to a three. Several small beginner's mistakes did.

First of all, I didn't really think the killer's point of view added anything to the story. I think James might have been underestimating her skills as a mystery novelist, but I respect her for choosing not to go down that road. At least she decided to stick with third person limited instead of switching between a first person voice narrative and third limited. The horrors I've read.

I was also disappointed with the secondary culprit, the so called leak. This plot point lead to a little too neat bow being tied of those plot threads in the end.

The whiff of repetition. Occasionally James succumbed to writing scenes where a flavour of the month joke or plot point was beaten to death like the famous horse. In someone else's writing, I doubt I would have noticed these things, but as I mentioned before, Julie James has the questionable honour of my great expectations.

The floundering sex scenes. There are very few people who can write smut that I deem acceptable let alone good. I know I might be asking too much from a starting author, but if Courtney Milan can deliver so can Julie James, with a little practice.

If I made a habit of adding people on my favourite author's list having read only one of their books, Julie James would be there with Milan and Marchetta. Alas, she'll have to wait until I've caught up with the rest of her works.

Rameau's Review Archive: Destiny's Embrace by Beverly Jenkins

Originally posted on Goodreads February 14th 2013.

Synopsis:
Gentleman Seeks Housekeeper. Must be willing to travel.

Desperate for another life away from Philadelphia, headstrong and beautiful Mariah Cooper answers an advertisement for a housekeeper at the other end of the continent. Waiting in California is the most breathtaking—and arrogant—man she has ever met . . . and he'd like nothing better than for Mariah to go back home!

Logan Yates has run Destiny, the family ranch,since he was a boy. He doesn't need this Eastern miss his stepmother hired, though his home's chaotic state suggests otherwise. Still, he's secretly pleased that Mariah gives as good as she gets—and he must fight the urge to take her in his arms and kiss her whenever she proudly stands her ground. But when he's in danger of losing her, Logan will have to choose between pride . . . and his heart's true desire.




Destiny's Embrace by Beverly Jenkins

Mariah Cooper wants a life for herself. She wants a husband and children, and she wants a career as a seamstress where she works for herself instead for her mother. None of these things she can get in Philadelphia, so with a little help from her aunt Mariah answers an advertisement for a housekeeper and travels across the continent to find a new life in California. Her reluctant employer, Logan Yates finds himself bewitched by the spirited widow. He ends up wanting to share his life and family with her and it only takes him a little over a week to decide this.

Jenkins takes the time to set up both Mariah’s life in Philadelphia and Logan’s life on his farm before bringing the characters together—with a clash or ten. Mariah’s decided to change her life and she won’t let anyone walk all over her ever again. This leads to repeated conflicts with Logan who is used to getting his way without having to invest too much of himself.

The banter between these two characters is wonderful as are the little titbits about Californian history the author sprinkles between the pages. I loved that all their troubles came from their characterisations instead of manufactured obstacles. Mariah wants to commit, Logan doesn’t, and neither is hiding the fact. There’s quite a lot of plain speaking and whatever lies or secrets are told, they don’t stay secret forever. Truths comes out and they have consequences. For example, Mariah admits she’s attracted to Logan but that doesn’t change her mind about wanting a commitment. For Logan, when he finally changes his inconstant ways, there are consequences for that too.

Even though the romance itself takes barely a week to develop, it doesn’t feel rushed. With the exception of the sex scenes. The initial kisses and seduction worked well for me, but their first actual sex scene and the events leading up to it felt more like a slapdash-afterthought method had been applied in writing them. It made me question whether or not the publisher had asked them to be added in later. This could also explain why I felt like the author missed the optimal notes for the emotional pay offs such as their I love yous and the umpteenth proposal. Luckily, Mariah’s confrontation with her mother saved a lot.

Destiny’s Embrace is the first book of a trilogy and there is the definite feeling that Jenkins is setting things up for a bigger story. She spends a lot of time on introducing secondary characters like Logan’s stepmother and half-brothers, and expanding their personal histories. For some reason the book also felt little anachronistic; it felt like a 1990’s kind of a book rather than a historical romance written in the 2010’s. I don’t have enough perspective to properly explain why this is.


My thanks to Sarah for gifting me this book when I had trouble buying a copy.

Rameau's Review Archive: Unveiled (Turner #1) by Courtney Milan

Rameau's ramblings: After reading Unclaimed and converting Anachronist into a romance reader, I had to hunt down everything Milan had ever published. So far. These days I savour her books instead of devouring them. 

Originally posted on Goodreads September 22nd 2011.

Synopsis:
Ash Turner has waited a lifetime to seek revenge on the man who ruined his family--and now the time for justice has arrived. At Parford Manor, he intends to take his place as the rightful heir to the dukedom and settle an old score with the current duke once and for all. But instead he finds himself drawn to a tempting beauty who has the power to undo all his dreams of vengeance....Lady Margaret knows she should despise the man who's stolen her fortune and her father's legacy--the man she's been ordered to spy on in the guise of a nurse. Yet the more she learns about the new duke, the less she can resist his smoldering appeal. Soon Margaret and Ash find themselves torn between old loyalties--and the tantalizing promise of passion....


Unveiled by Courtney Milan

I'm in no shape to write as comprehensive review as I did for the sequel Unclaimed, mostly because I'm lazy and because this not being one of my few ARCs I don't feel obligated enough. But at the same time I feel like I'm not doing this book justice if I don't.

Courtney Milan can write a romance, again, in the best sense of the word. Her characters while highly sexual beings even in historical setting don't just abandon their morals and jump in the sack at the first opportunity. In fact, I'd be hard pressed to name another author who understands as clearly the need for seducing the mind as Milan does. It's all about showing why these two characters are right for each other and why they should choose each other above everyone else with Milan.

In here, Ash Turner is the epitome of as self-made man. He left home at the age of fourteen to make his fortune and ensure the future of his brothers, in doing so, he sacrificed his relationship with them. Now, it's his turn to exact vengeance on those who wronged him and his family when they were poor and in desperate need of help. But he doesn't know if he can have that revenge without damaging his tenuous connection with his brothers permanently.

Margaret Dalrymple is an innocent victim of Ash's revenge, collateral damage if you will, but she's prepared to fight back. Her only chance is to find some unforgivable flaw in the new Parford heir to reclaim her family's inheritance. The only problem, she finds herself falling for the last man whom she should ever fall in love with.

There are numerous reasons why these two should hate each other and why they should be bitter enemies to the end. There's also that tiny spark that if nurtured correctly can grow into an unquenchable blaze. And that's what Milan does. She introduces that tiny spark of chemistry and attraction and lets it grow into an unforgettable love affair without ever sacrificing the uniqueness of the characters.

I might even like Ash and Margaret more than I did Sir Mark and Jessica, but as a whole, the second Turner book was better paced. This one seemed to drag towards the end only to collect itself at the last minute and finish the race in top three.

Spoilers for Unveiled and Unclaimed both: <spoiler> As much as I enjoyed the Sir Mark seduce the debauched courtesan in Unclaimed, nothing in it came close to the sexiness of Margaret taking that key from Ash and locking them in his bedroom for the night before their planned wedding. </spoiler>


Still, I have a feeling I'm going to like Smite's story the best, he just sounds like my kind of man. Can't wait for Unraveled.

Rameau's Review Archive: Unraveled (Turner #3) by Courtney Milan

Rameau's ramblings: What can I do to help kick off the Romance May? Give you another Milan review! Naturally.

Originally posted on Goodreads December 14th 2011.

Synopsis:
Smite Turner is renowned for his single-minded devotion to his duty as a magistrate. But behind his relentless focus lies not only a determination to do what is right, but the haunting secrets of his past—secrets that he is determined to hide, even if it means keeping everyone else at arm’s length. Until the day an irresistible woman shows up as a witness in his courtroom…

Miranda Darling isn’t in trouble…yet. But she’s close enough that when Turner threatens her with imprisonment if she puts one foot wrong, she knows she should run in the other direction. And yet no matter how forbidding the man seems on the outside, she can’t bring herself to leave. Instead, when he tries to push her away, she pushes right back—straight through his famous self-control, and into the heart of the passion that he has long hidden away…

Unraveled by Courtney Milan

Having read Unveiled and Unclaimed both, I knew what I was getting myself in for. That's why this review is littered with comments about the anxious wait I was made to suffer until self-published Unraveled was released. You'd think the author would have the decency to write something bad to make it up to me, to make my part as reviewer easier, but no. Damn you Milan, how dare you make me love Smite Turner even more than I thought I would? And Miranda Darling and Ghost? How dare you!

Of the three Turner brothers Smite is the most scarred. His skin may be intact, but inside he carries the weight of the water that once nearly crushed and suffocated him. Inside he's an impenetrable fortress that stands alone under the storms of his nightmares. Inside he's cold, but far from dead.

Ghost, the puppy, may have started the thawing, but it takes a blazing sun like Miranda Darling for Smite to forget himself and break the barriers he's erected just to be able to function. For two decades he's spent simply existing, but when Miranda flattens him with few sharp remarks Smite finds himself wanting to live again.

She's naive yet worldly as only a child grown amidst actors can be. She's a survivor, but not hardened through and through. She has a sharp tongue and wicked mind, but she's also loyal and too trusting. She's a ray of sunshine that lights up the room, but will scorch if faced directly. Miranda is just the right woman to get under Smite Turner's skin.

What starts with a lie and on the grimy streets of Bristol, moves to shining marble halls and into a bedroom. While they are discovering new physical boundaries, an unexpected accord forms between the two lovers. Miranda finds herself attracted to a decent man and Smite opens up to her in a way he hasn't been able to do with anyone else.

I could quote the whole book and it would make more sense than this review so far.

What you need to know is that Smite is a diligent magistrate in Bristol with an unerring memory. He recognises Miranda and stops her from committing perjury, he also follows her to warn her not to try that particular trick in his court again. What Smite doesn't realise is that Miranda has her own set of problems and very little choice. She's bartered her life and skills to the Patron for personal protection for herself and the boy living with her.

Smite might be able to remove Miranda from the dirty and sooty streets, but he can't free her from her obligations. And here, Milan surprises positively. Instead of hiding her troubles and trying to deal with them by herself, Miranda faces Smite and confides in him risking everything now dear to her. Of course this doesn't stop Smite from reacting rather stupidly, but he has the baggage to excuse it.

Despite the slight feel of repetition in the beginning–which might be because I kept putting the book down and rereading to get where I'd left off–the text carried me through the story like a gentle way pushing me to the shore. The way Milan writes makes days feel like hours and weeks feel like years. By the time I finished reading the last chapter I couldn't believe how far both characters and their extended families had come. It felt like I had read the first pages a lifetime ago instead of few hours.

I know I'm forgetting something important–like the laughs–but for the life of me I can't think of anything else without spoiling the journey. This is the best I can do for a five star review and I know it's not nearly enough.

P.S. If anything, this story shows you how important a comma can be.

Rameau's Review Archive: Unclaimed (Turner #2) Courtney Milan

Rameau's ramblings: This will be listed under second opinions, but technically this is the first opinion and the review that got Anachronist reading historical romance. Go me!

Originally posted on Goodreads September 20th 2011.

Synopsis: 
Her only hope for survival...

Handsome, wealthy and respected, Sir Mark Turner is the most sought-after bachelor in all of London and he's known far and wide for his irreproachable character. But behind his virtuous reputation lies a passionate nature he keeps carefully in check...until he meets the beautiful Jessica Farleigh, the woman he's waited for all his life.

Is to ruin the man she loves...

But Jessica is a courtesan, not the genteel lady Sir Mark believes. Desperate to be free of a life she despises, she seizes her chance when Mark's enemies make her an offer she can't refuse--seduce Mark and tarnish his good name, and a princely sum will be hers. Yet as she comes to know the man she's sworn to destroy, Jessica will be forced to choose between the future she needs and the love she knows is impossible.

Unclaimed by Courtney Milan

Why should you read this?

Because it's a historical romance of two people coming together and surpassing social and personal obstacles. You need more convincing do you?

Let's see. There's a virgin, there's a seduction, and there's a defamation that'll separate the two lovers. Not sold yet?

Well, he's the one with an untarnished reputation and virtue to protect, and she's the experienced lover who'll teach him to know better.

That did it, oh, good. Just in case...

Sir Mark has written a book about chastity and to his disbelief it's taken a life of its own. He's become the darling of the public and an unwilling role model for men in search of new challenges. He's also become the target of envy and resentment. Someone wants to see Sir Mark's good name in the gutter and they're willing to pay for it.

Enters Jessica, the experienced courtesan who longs for freedom. She doesn't want to sell her body to survive anymore. All she needs is enough money to break free and make a quiet life of her own far away from the city. She grabs the opportunity with both hands and prepares for one last tryst.

Sir Mark is immediately attracted to the mysterious widow Jessica pretends to be, but he's not ready to succumb to her charms quite so easily. After all he's battled his yearnings for nearly thirty years and there have been other temptations. Nothing quite like this though.

What follows is a delicious tale of two people circling and trying to outsmart each other. It's a seduction in the best sense of the word. It's a seduction of the mind as well as the body and the erotica is far from gratuitous. It's actually earned.

It isn't until near the end when the reader has all but abandoned hope for Sir Mark and Jessica that they do come together and admit the extent of their feelings for each other. After all, there's more than love involved; there's respect and dignity to consider.

Milan's writing is solid as she slowly guides the couple together. She takes her time introducing the characters and explaining just what makes them so unique especially considering the setting. Milan doesn't skirt around sex scenes, because she's afraid to write them, she simply ensures they fit in with the plot - questionable word choices and all.

Yes, an actual plot in a romance novel, can you imagine? So, what are you waiting for? Go, read, and enjoy the slow burn.

I received a copy of this book from the publisher through NetGalley.

Review: Children of Scarabaeus (Scarabeus #2) by Sara Creasy

Synopsis:
The crib is everywhere . . .

Edie Sha'nim believes she and her bodyguard lover, Finn, could find refuge from the tyranny of the Crib empire by fleeing to the Fringe worlds. But Edie's extraordinary cypherteck ability to manipulate the ecology of evolving planets makes her far too valuable for the empire to lose. Recaptured and forced to cooperate--or else she will watch Finn die--Edie is shocked to discover the Crib's new breed of cypherteck: children. She cannot stand by while the oppressors enslave the innocent, nor can she resist the lure of Scarabaeus, the first world she tried to save, when researchers discover what appears to be an evolving intelligence.

But escape--for Edie, for Finn, and for the exploited young--will require the ultimate sacrifice . . . and a shocking act of rebellion.



This didn’t start how I imagined it would. The confusion could have been avoided had I read the blurb for the second book, but I didn’t and I had a expectations of where Edie and Finn were going. They took a small detour to two different planets instead. Not that this is a bad thing but I had hoped to see more of the Fringe, which we never got to do.

The book starts with Edie and Finn on the run. They need to find the neuroxin, a kind of toxin that keeps Edie alive. After ensuring her continued existence, Edie, Finn, and Cat head towards the Fringe. They’re captured relatively quickly and brought back to Natesa who is still fixated on using Edie to further her own goals. Only she’s not using Edie alone. There are other children, talented like Edie, being manipulated to do their duty to Crib Colonial Unit. There’s politics, there’s human suffering, and there’s foreign intelligence. What more could you ask for?

This isn’t a trilogy, this is a story told in two parts. And just like the Song, the Children of Scarabaeus starts slowly. The first forty and fifty pages weren’t the problem for me, the struggle came later when Creasy decided to deepen the characterisations and relationships. For a while it felt incongruous with the rest of the story as logical as the development was. Instead of talking to each other, both Edie and Finn kept their secrets until it was too late to say anything. But then, luckily, the plot took over and the adventure continued.

Edie returns to Scarabaeus to finish what she started years ago and to save a handful of lives on the side. She and Finn talk, and disagree, but neither is a match for the planet. We get to see another side of Scarabaeus, barren but just as deadly as the megabiosis of the first book was.

In some ways the world building in the Scarabaues books seems superficial, but I love the subtlety of it. It feels like the books only scratched the surface of a bigger world, and not only because we never get to see the Fringe worlds. I want more of everything. More of CCU, Fringe, politics, and war. Sadly, I don’t know if I ever get it.

Review: Nothing Lasts Forever (Die Hard #1) by Roderick Throp

Synopsis:
This bestseller was the basis for the blockbuster film "Die Hard" starring Bruce Willis. 

High atop a Los Angeles skyscraper, an office Christmas party turns into a deadly cage-match between a lone New York City cop and a gang of international terrorists. Every action fan knows it could only be the explosive big-screen blockbuster Die Hard. But before Bruce Willis blew away audiences as unstoppable hero John McClane, author Roderick Thorp knocked out thriller readers with the bestseller that started it all.

A dozen heavily armed terrorists have taken hostages, issued demands, and promised bloodshed all according to plan. But they haven't counted on a death-defying, one-man cavalry with no shoes, no backup, and no intention of going down easily. As hot-headed cops swarm outside, and cold-blooded killers wield machine guns and rocket launchers inside, the stage is set for the ultimate showdown between anti-hero and uber-villains. Merry Christmas to all, and to all a good fight to the death. Ho ho ho! 





I grew up watching action films with my Dad just as I grew up reading Harlequin novels with my Mum. Until I got older and broke out of the predetermined genre preferences, Bruce Willis, Arnold Schwarzenegger, Sylvester Stallone and Mel Gibson—before his descend to cray cray—were my childhood. Die Hard is one of those films I knew by heart and that has stood the test of time better than most. So, when I saw that the book that had inspired Die Hard was available on NetGalley I had to jump on it.

Nothing Lasts Forever was first published in 1979. Die Hard came out in 1988. The book focuses on Joseph Leland, a World War II veteran, retired cop, private detective, terrorism expert, and a security consultant, who just gave up flying his own place seven years earlier. Leland is divorced, widowed, and a grandfather of two. He never liked his son-in-law but has patched up his relationship with his daughter after he stopped drinking and is on his way to see her now. John McClane is a youngish married cop from New York on his way to see his estranged wife and two children for the Christmas. And he just happens to be afraid of flying. Both land in L.A., get a limo drive to a high rise and are in the middle of a phonecall when the shooting starts.

As I said, I knew the story going in. There wasn’t a slightest chance that Thorp might surprise me with a plot twist, brutality, or gore. What surprised me was how Thorp filled the pages between the action scenes. Where Bruce Willis fills the solitary scenes with muttering and talking to himself, Leland in the book recounts his personal history. He reminiscences the war as he maps out the empty floors between 32nd and 40th. He laments over his failed marriage, his slightly skewed priorities in life, and friends he’s lost in the war and since the war. And there’s no question of which war he’s talking about. These passages could have easily been mind-numbingly boring but they’re not. They give Leland the room to think and the reader the feeling of time passing. And unlike John McClane, Leland is markedly in pain. He’s weary, tired and struggling each step of the way.

For all the details that the filmmakers changed—characters, relationships, making the company a Japanese conglomerate instead of an American oil company called Klaxxon (I’ll give you a minute to let that sink in)—I was more surprised to see the things that they didn’t change. From bare feet to the safe full of money, from the people thrown out the building to the explosions aside from snapped necks and led poisonings, it’s all there.

This book really is the bare bones of the film.

The film improved on the pacing and mixed some things up, like the bazooka attack happening much earlier in the film than in the book, but it also took a few steps in the wrong direction. Die Hard is a sexist creation and I’m not just talking about the unnecessary scene with a bare-chested woman or the titty pictures plastered on a service tunnel wall. I’m talking about female terrorists. The book has several, the film has none.

The motives and over all causality in the book is much more complex than it is in the film. Aside from the brothers, what motivates the terrorists and Hans Gruber especially is pure greed where as in the book Little Tony the Red has ideological objections to Klaxxon’s dealings in Chile. As the book focuses on Leland alone, it’s natural that the film adds to the character gallery—all additions men—and deepens a characterisation or two, but I would argue that what Al Powell does in the end of the book is far more complicated than any sob story told over the radio could ever be—and possibly worth an essay of its own.

For all their similarities Die Hard and Nothing Lasts Forever are two different creations that work well in their own mediums despite their flaws.


I received a copy of this book from the publisher through NetGalley.