Form: pdf e-book
Genre: historical mystery/thriller
Target audience: fans of the genre, no matter the age
| Synopsis |
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As rehearsals begin at the foot of Scotland's Dunsinnan Hill, a perfect location for such a play, it doesn't take long for the curse to stir. But is it really a curse?A trench atop Dunsinnan Hill is found filled with blood, and a severed human thumb turns up among the props. Kate begins sleepwalking, waking early one morning alone atop the hill, her hands smeared with blood.
She has no memory of how she got there, but later that day a local woman is found dead on the hill in circumstances that suggest not just ritual murder but ancient pagan sacrifice. With the police more focused on Kate as a suspect than as a possible future victim, she and Ben find themselves in a desperate race to discover a lost version of Macbeth, said to contain rituals of witchcraft aimed at conjuring demonic forces to gain forbidden knowledge.
| What I liked: |
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Kate Stanley, our protagonist gets sucked into a bizarre twist of events that ends up with blood on her hands…literally. She must find the lost manuscript of Macbeth which might include secret rituals of old pagan witchcraft in order to save an innocent teenage girl’s life. This manuscript was supposed to have been used in early shows of Macbeth where the mere reading of it supposedly brought real unearthly demons to the stage. Kate feels a little more human in this sequel; looking at her as a woman who essentially throws herself into a mystery as a "rebound relationship" is an interesting concept and one that works considering how intellectual Kate is supposed to be. Anyway I was really relieved that she wasn't 'an item' with Ben in this book and the fact that the author gave him another casual lover was only too natural.
Indeed the best parts of this novel were, in my opinion, the interludes around Dr John Dee, the Elizabethan polymath and occultist. The parallels between theatre and the occult were interesting: the performance as ritual; players summoning and conjuring the semblance of gods, Kings and heroes from the past; the dangerous nature of the Renaissance stage. I did love the explanation of the possible inspirations for Shakespeare's story - with the Lady of Arran and the Samhain festival - such ancient, multi-faceted backgrounds are always a welcome addition. Once again you can tell Carrell knows her stuff.Let me also tell you that the warning about crackpot academics was entertaining...particularly to someone who writes essays and has to avoid dangers of using personal websites in research.
| What I didn't like |
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Later the same good lady hands over an iPod containing a digital copy of a lost performance ofMacbeth. There's no explanation of how she got it and how it was registered. And it just happens to have a vital clue in it. Ehem...right. Paint me curious or rather I should say: "Double, double toil and trouble, Fire burn and cauldron bubble."
Finally the least likeable character in the whole book: Lily. Oh Sweet Goddess give me patience. I hate it when teenagers in novels are whiny, stupid, and mostly useless at everything but getting themselves and others into trouble. Lily is all three and what she gets in the end? A REWARD. Stupidity rewarded is not what I like in my fiction or real life.
| Final verdict |
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